{"id":7005,"date":"2021-05-13T12:01:18","date_gmt":"2021-05-13T11:01:18","guid":{"rendered":"http:\/\/www.dylanthomas.com\/?p=7005"},"modified":"2021-05-13T12:01:19","modified_gmt":"2021-05-13T11:01:19","slug":"under-milk-wood-14-mai-1953-rhan-dau-yr-ymarferion","status":"publish","type":"post","link":"http:\/\/www.dylanthomas.com\/cy\/blog-cy\/under-milk-wood-14-mai-1953-rhan-dau-yr-ymarferion\/","title":{"rendered":"Under Milk Wood – 14 Mai 1953 | Rhan dau – Yr Ymarferion"},"content":{"rendered":"\n

Mae Katie yn adrodd stori’r perfformiad cyntaf Under Milk Wood<\/em> ar y llwyfan o’r pwynt pan gollodd Dylan ei unig gopi o’r llawysgrif.<\/p>\n\n\n\n

Gadawsom Dylan, yng nghanol mis Mawrth, ar \u00f4l iddo golli\u2019r unig gopi o Under Milk Wood <\/em>ar \u00f4l dweud wrth John Malcolm Brinnin y byddai’r sgript wedi’i chwblhau erbyn iddo adael am America. Yn ffodus, daethpwyd o hyd i’r sgript anorffenedig, yn dilyn ‘strenuous long-distance efforts to retrieve it’ fel mae Andrew Lycett yn esbonio yn Dylan Thomas: A New Life<\/em>.<\/p>\n\n\n\n

Yn y cyfamser, yn Efrog Newydd, roedd Liz Reitell, cynorthwy-ydd John Malcolm Brinnin yn y Poetry Center, yn gyfrifol am gasglu cast ynghyd a gweithio ar y cynhyrchiad Under Milk Wood<\/em>. Oherwydd y diffyg sgript a\u2019r diffyg gohebiaeth gan Dylan, cyfeiriodd Brinnin at ei swydd fel ‘working in a vaccum’, yn Dylan Thomas in America<\/em>. Yn \u00f4l Nancy Wickwire, a oedd yn gweithio ar switsfwrdd y Poetry Center, roedd Liz Reitell mewn trallod. Yn Dylan Remembered Volume Two<\/em>, roedd Nancy yn ei chofio hi’n dweud bod Dylan i fod i gyrraedd mewn wythnos, a\u2019i fod wedi gofyn am bum actor. Mae’n ymddangos bod hyn yn gwrth-ddweud honiad Brinnin fod yr actorion yn barod ar gyfer ymarferion erbyn canol mis Mawrth. Byddai hefyd yn awgrymu bod rhyw fath o ddeialog rhwng Brinnin a Dylan rhwng 18 Mawrth ac 16 Ebrill pan ymadawodd Dylan am America, gan fod llythyr Dylan o 18 Mawrth yn crybwyll gwneud perfformiad unigol yn hytrach na rhagnodi cast. Efallai y cytunodd Dylan i gynllun Brinnin ar \u00f4l sylweddoli bod y digwyddiad eisoes wedi\u2019i hysbysebu fel perfformiad gydag actorion. A hithau’n actores, llwyddodd Nancy Wickwire i ddatrys sefyllfa Liz Reitell drwy enwi aelodau cyswllt y Poetry Center a oedd hefyd yn actorion – Sada Thompson, Roy Poole, Dion Allen ac Al Collins. <\/p>\n\n\n\n

Cyrhaeddodd Dylan Efrog Newydd ar 21 Ebrill. Nid oedd Under Milk Wood <\/em>wedi’i chwblhau. Yn Dylan Remembered Volume Two<\/em>, mae Sada Thompson yn cofio eu bod wedi cael hanner y sgript i ddechrau, gyda Nancy Wickwire yn cadarnhau bod y darn yn gorffen gyda Llais Cyntaf yn disgrifio clociau Syr Wili Watsh. Roedd hyn yn golygu, rhwng cyflawni ymrwymiadau, fod yn rhaid i Dylan ymarfer yn ogystal \u00e2 chwblhau’r sgript mewn gwirionedd.  <\/em><\/p>\n\n\n\n

Mae Rollie McKenna, yn Portrait of Dylan<\/em>, yn dogfennu bod yr ymarferion dros dro wedi’u cynnal yn fflat un o’r actorion yn Manhattan. Oherwydd ei ymrwymiadau teithiol, nid oedd Dylan, fel y nodwyd yn Dylan Remembered Volume Two<\/em>, ar gael ar gyfer ymarfer cast llawn tan wythnos cyn y perfformiad. O ganlyniad, aeth yr actorion ymlaen i gastio’u hunain. Cofiodd Nancy Wickwire, \u2018I read the first woman that came along in the script, and if that part happened to be repeated then I would read it again; Sada took the next woman that came along…\u2019<\/p>\n\n\n\n

Yn y cyfamser, roedd Dylan ar daith o hyd ac yn parhau i ychwanegu golygfeydd at y sgript a\u2019i golygu rhwng ymrwymiadau. Ar 3 Mai, rhoddodd Dylan ei ddarlleniad unigol cyntaf (yn America) o’r ddrama anorffenedig yn Amgueddfa Fogg, Boston. Yn \u00f4l Paul Ferris, yn Dylan Thomas: The Biography<\/em>, fe gamosododd y sgript unwaith eto, ond yn ffodus, daethpwyd o hyd iddi’r diwrnod canlynol ar ben y piano yn y t\u0177 yr oedd wedi bod mewn parti yno ar \u00f4l sioe. Mae Brinnin yn nodi bod ymateb cadarnhaol y gynulleidfa wedi rhoi ysgogiad newydd i Dylan gwblhau Under Milk Wood.<\/em> Roedd hyn yn ddefnyddiol gan fod Liz Reitell yn aml yn ffonio o Efrog Newydd i ofyn am adroddiadau cynnydd ar y sgript.<\/p>\n\n\n\n

Ar 7 Mai, roedd Dylan yn Efrog Newydd ar gyfer darlleniad barddoniaeth yn y Poetry Center. Cyn ei berfformiad, aeth i’w ymarfer cyntaf ar gyfer Under Milk Wood<\/em>. Yn ol Rollie McKenna, a oedd yn tynnu lluniau o’r ymarferion, ‘Dylan coached them relentlessly in pronunciation and sentence rhythm.’ Mae\u2019n ddiddorol nodi bod gan Sada Thompson yr argraff nad oedd gan Dylan unrhyw brofiad o ymarfer, sy\u2019n awgrymu na wnaeth Dylan ddatgelu ei gymwysterau iddynt. Yn hytrach, cymysgodd y darlleniadau \u00e2 straeon fel y gallai’r cast ymgyfarwyddo \u00e2’r cymeriadau. Disgrifiodd Nancy Wickwire a Sada Thompson Dylan fel dyn swil a chalonogol, a fyddai\u2019n eu harwain drwy’r golygfeydd gyda’i adroddiad. Yn \u00f4l Brinnin, roedd Dylan yr un mor fodlon ar yr actorion ag yr oedden nhw arno ef, ac wedi\u2019r ymarferion byddai\u2019n ‘bristling with new notions as to just how the play should be staged.’<\/p>\n\n\n\n

Ar y dydd Sadwrn, yn dilyn taith fer i Philadelphia, dychwelodd Dylan i Efrog Newydd am ymarfer arall. Efallai mai dyma’r ymarfer yr oedd Rollie Mckenna yn cyfeirio ato pan ddisgrifiodd enghraifft ohono’n teimlo\u2019n s\u00e2l. Ar \u00f4l llwyddo i’w gael i’r Poetry Center, cyfogodd Dylan yn syth a llewygodd yn yr Ystafell Werdd. Llwyddodd Liz Reitell i’w ddeffro wrth i\u2019r actorion ddod ffordd ac er gwaethaf iddo fynnu na allai weithio, aeth ymlaen i gymryd rhan yn yr ymarfer ‘put(ting) his cast through their most electrifying experience to date’. Dyna pryd y dywedodd wrthyn nhw am \u2018ddwlu ar y geiriau\u2019. Roedd Sada Thomson yn cofio mai hwn oedd y prif gyfeiriad a roddodd iddynt, \u2018That\u2019s really the primary thing that all of us remember, is loving the words, savouring the words the way he did.\u2019<\/p>\n\n\n\n

Roedd yr ymarferion, er nad oedd llawer ohonynt, yn datblygu’n dda. Fodd bynnag, nid oedd Under Milk Wood<\/em> wedi’i chwblhau o hyd. Gydag ymrwymiadau i’w cyflawni o hyd, a llai nag wythnos i fynd tan ei berfformiad cyntaf, a fyddai Dylan yn llwyddo i’w chwblhau? A fyddai’r sioe yn mynd yn ei blaen? Gallwch ddod o hyd i’r ateb yn Rhan Tri.<\/p>\n\n\n\n

Katie Bowman, Canolfan Dylan Thomas<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Mae Katie yn adrodd stori’r perfformiad cyntaf Under Milk Wood ar y llwyfan o’r pwynt pan gollodd Dylan ei unig gopi o’r llawysgrif. Gadawsom Dylan, yng nghanol mis Mawrth, ar \u00f4l iddo golli\u2019r unig gopi o Under Milk Wood ar …<\/p>\n

Under Milk Wood – 14 Mai 1953 | Rhan dau – Yr Ymarferion<\/span> Darllen mwy »<\/a><\/p>\n","protected":false},"author":6,"featured_media":7003,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[305],"tags":[],"yoast_head":"\nUnder Milk Wood - 14 Mai 1953 | Rhan dau - Yr Ymarferion - DylanThomas.com<\/title>\n<meta name=\"description\" content=\"Mae Katie yn adrodd stori'r perfformiad cyntaf Under Milk Wood ar y llwyfan o'r pwynt pan gollodd Dylan ei unig gopi o'r llawysgrif.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dylanthomas.com\/cy\/blog-cy\/under-milk-wood-14-mai-1953-rhan-dau-yr-ymarferion\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Under Milk Wood - 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