{"id":6999,"date":"2021-05-13T12:01:50","date_gmt":"2021-05-13T11:01:50","guid":{"rendered":"http:\/\/www.dylanthomas.com\/?p=6999"},"modified":"2021-05-13T12:01:52","modified_gmt":"2021-05-13T11:01:52","slug":"under-milk-wood-14-mai-1953-rhan-un-y-cefndir","status":"publish","type":"post","link":"http:\/\/www.dylanthomas.com\/cy\/blog-cy\/under-milk-wood-14-mai-1953-rhan-un-y-cefndir\/","title":{"rendered":"Under Milk Wood, 14 Mai 1953 | Rhan Un – Y Cefndir"},"content":{"rendered":"\n

I ddathlu Diwrnod Rhyngwladol Dylan Thomas, mae Katie yn edrych ar y perfformiad cyntaf o Under Milk Wood<\/em> a berfformiwyd gydag actorion ar 14 Mai 1953.<\/p>\n\n\n\n

14 Mai 1953. Y perfformiad cyntaf o Under Milk Wood <\/em>gydag actorion. Yr unig recordiad hysbys o Dylan Thomas yn perfformio’i ‘ddrama i leisiau’ enwog. Roedd hefyd yn berfformiad a oedd bron iawn heb ddigwydd. Yn y gyfres hon o flogiau, byddwn yn edrych ar gefndir y perfformiad, y broses ymarfer ac wrth gwrs, y perfformiad ei hun.<\/p>\n\n\n\n

Yn ystod hydref 1952, cyfarfu Dylan a John Malcom Brinnin yn Llundain. Yn \u00f4l Andrew Lycett yn Dylan Thomas:<\/em> A New Life, <\/em>ni chymerodd lawer o amser i Dylan godi’r pwnc o fynd ar daith arall yn America (dyma fyddai ei drydedd daith: aeth ar ei daith gyntaf ym 1950 a’i ail ym 1952, pan aeth Caitlin gydag ef). Er ei fod yn dymuno mynd, roedd Dylan yn pryderu am y deunydd y byddai’n ei ddefnyddio gan ei fod yn credu bod ei repertoire o ddarlleniadau’n mynd yn ddiflas. Roedd e’n meddwl y byddai cynnwys mwy o weithiau dramatig yn datrys y broblem. Ond y cwestiwn oedd, pa weithiau dramatig fyddai\u2019r mwyaf llwyddiannus? Gofynnodd John Malcolm Brinnin am waith ar y gweill Dylan, Llareggub.<\/em> Roedd ymateb Dylan, a ddogfennwyd yn llyfr Brinnin, Dylan Thomas in America, <\/em>yn gadarnhaol; roedd e’n gobeithio y byddai ganddo ddrafft olaf ymhen tri mis. Awgrymodd Brinnin y gallai’r ddrama fod yr ateb i bryderon Dylan ynghylch y rhaglen – gallai ddarllen rhannau o Llareggub, <\/em>neu yn ddelfrydol llogi gr\u0175p o actorion i ddarllen y ddrama gydag e\u2019. Gallai fod yn rhan o dymor Canolfan Farddoniaeth Efrog Newydd. Er ei fod o blaid y cynnig, roedd Dylan yn wyliadwrus iawn o’r ail syniad, sef cynnal ‘cynhyrchiad’ gydag actorion, gan y byddai acenion Cymreig go iawn yn hanfodol ac nid oeddent ar gael yn Efrog Newydd. Roedd Brinnin o blaid cyflwyno cynhyrchiad o’r darlleniad, gan ddadlau bod actorion ar gael, ac y byddai’n lleihau’r straen ar Dylan yn gorfod perfformio’r holl ddarn ar ei ben ei hun. Byddai’n bosib cynnal taith hefyd, pe bai’r perfformiad yn llwyddiannus. Ildiodd Dylan ac, yn \u00f4l Brinnin, cytunodd i gyflwyno sgript lawn iddo erbyn mis Mawrth. Trefnwyd y perfformiad cyntaf ar gyfer y mis Mai.<\/p>\n\n\n\n

Ar \u00f4l cytuno dros dro ar y trefniad hwn, a chyda thr\u00ean llong John Malcom Brinnin yn gadael am hanner awr wedi saith, aeth y ddau mewn tacsi i orsaf Waterloo. Ysgrifennodd Brinnin fod Dylan wedi dweud wrtho, mewn perthynas \u00e2’r rhaglennu a’r fformatio, i fwrw ymlaen \u00e2\u2019r syniad gyda beth bynnag oedd orau yn ei farn e\u2019 Fodd bynnag, roedd problem fach gyda’r teitl – Llareggub.<\/em> Doedd Brinnin ddim yn si\u0175r amdano, a chytunodd Dylan y gallai fod yn ‘rhy drwm ac anghynnes i ddenu cynulleidfaoedd Americanaidd.’ Felly cynigiodd Dylan y teitl newydd, Under Milk Wood.<\/em> Ffarweliodd y ddau \u00e2’i gilydd ac ym mis Hydref, cynhyrchodd y Ganolfan Farddoniaeth ei llyfryn blynyddol gyda’i thymor o ddigwyddiadau, gan gynnwys Under Milk Wood <\/em>ar 14 Mai, y darlleniad cyntaf gan Dylan Thomas a chwmni o actorion proffesiynol. <\/p>\n\n\n\n

Yn dilyn hyn, aeth Dylan yn dawel am sbel, ac ni atebodd unrhyw ohebiaeth gan Brinnin yn trafod dyddiadau ac amserlenni ar gyfer y daith. Erbyn canol mis Mawrth, yn \u00f4l Brinnin, roedd y cast wedi’i ddewis ac roeddent yn barod i ymarfer. Roedd ‘cannoedd o docynnau’ wedi’u gwerthu ar gyfer y perfformiad cyntaf ar 14 Mai. Gan deimlo na fyddai modd bwrw ymlaen \u00e2 phethau ymhellach heb gadarnhad Dylan, penderfynodd Brinnin ei ffonio ar 17 Mawrth. Roedd y cysylltiad trawsatlantig yn golygu bod sgwrsio’n anodd, ond llwyddodd Brinnin i gael gwybod bod Dylan yn awyddus o hyd i fynd i America a’i fod yn dymuno parhau \u00e2\u2019r holl gynlluniau yr oedd Brinnin wedi’u crybwyll.<\/p>\n\n\n\n

Drannoeth, ysgrifennodd Dylan at Brinnin gan esbonio’r rhesymau dros ei ddistawrwydd a thrafod ei daith yn fanylach Mae un darn bach o’i lythyr yn ymwneud ag Under Milk Wood.<\/em> Esboniodd Dylan \u2018I shall not have the complete manuscript ready until the week of my sailing\u2019 (roedd yn bwriadu hwylio ym mis Ebrill). Unwaith eto, mynegodd ansicrwydd hefyd am y ffaith ei bod yn cael ei pherfformio ganddo ef a chast proffesiynol, gan ailadrodd pwysigrwydd defnyddio acenion Cymreig. Ychwanegodd, \u2018I think I could make an hour\u2019s entertainment out of this myself.\u2019 Gallai fod Dylan wedi newid ei feddwl oherwydd yr ymateb cadarnhaol a gafodd yn dilyn darlleniad unigol o’r ddrama anorffenedig yng Nghaerdydd ar 10 Mawrth. Awgrymodd y dylai Brinnin ddarllen y sgript ar \u00f4l iddo gyrraedd, ac wedyn gwneud penderfyniad ynghylch a oedd angen actorion neu beidio.<\/p>\n\n\n\n

Ond, nid oedd Dylan wedi dweud wrth Brinnin dros y ff\u00f4n neu yn y llythyr dilynol ei fod, mewn gwirionedd, wedi colli’r sgript. Ar yr 17eg, ysgrifennodd at Charles Elliott, ei westywr yng Nghaerdydd ar y 10fed, yn gofyn a oedd wedi gweld ei fag papurau. Roedd Dylan yn credu ei fod wedi’i adael yng Ngwesty’r Parc, ac roedd yn cynnwys yr ‘unig gopi’ o’r ddrama. Ysgrifennodd: \u2018If the thing isn\u2019t there, do you think you could find out  <\/em> where the hell I left it?\u2019\u2019 Byddai’n waith anodd ceisio cyflawni\u2019i addewid o roi sgript gyflawn i John Malcolm Brinnin erbyn iddo gyrraedd America ar \u00f4l iddo golli’r unig gopi, a hwnnw\u2019n gopi anghyflawn. Byddwn yn darganfod yr hyn a ddigwyddodd nesaf yn Rhan Dau.  <\/p>\n\n\n\n

Katie Bowman, Canolfan Dylan Thomas<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

I ddathlu Diwrnod Rhyngwladol Dylan Thomas, mae Katie yn edrych ar y perfformiad cyntaf o Under Milk Wood a berfformiwyd gydag actorion ar 14 Mai 1953. 14 Mai 1953. Y perfformiad cyntaf o Under Milk Wood gydag actorion. Yr unig …<\/p>\n

Under Milk Wood, 14 Mai 1953 | Rhan Un – Y Cefndir<\/span> Darllen mwy »<\/a><\/p>\n","protected":false},"author":6,"featured_media":6997,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[305],"tags":[],"yoast_head":"\nUnder Milk Wood, 14 Mai 1953 | Rhan Un - Y Cefndir - DylanThomas.com<\/title>\n<meta name=\"description\" content=\"I ddathlu Diwrnod Rhyngwladol Dylan Thomas, mae Katie yn edrych ar y perfformiad cyntaf o Under Milk Wood a berfformiwyd gydag actorion ar 14 Mai 1953.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.dylanthomas.com\/cy\/blog-cy\/under-milk-wood-14-mai-1953-rhan-un-y-cefndir\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Under Milk Wood, 14 Mai 1953 | Rhan Un - 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